Hebron glass (Arabic: زجاج الخليل, zajaj al-Khalili or azaz al-Khalili) refers to glass produced in Hebron as part of a flourishing art industry established in the city during Roman rule in Palestine. Hebron's Old City still contains a quarter named the "Glass-Blower Quarter" and Hebron glass continues to serve as a tourist attraction for the city. Traditionally, the glass was melted using local raw materials, including sand from neighbouring villages, sodium carbonate (from the Dead Sea), and coloring additives such as iron oxide and copper oxide. Nowadays, recycled glass is often used instead. Glass production in Hebron is a family trade, the secrets of which have been preserved and passed down by a few Palestinian families who operate the glass factories located just outside the city. The products made include glass jewellery, such as beads, bracelets, and rings, as well as stained glass windows, and glass lamps. However, due to the Palestinian-Israeli conflict, glass production has suffered a decline.
A Bedouin woman in Jerusalem, sometime between 1898 and 1914, dressed in Palestinian costume, the traditional clothing worn by Palestinians. Many of the handcrafted garments were richly embroidered and the creation and maintenance of these items played a significant role in the lives of the region's women. Until the 1940s, traditional Palestinian costumes reflected a woman's economic status, whether married or single, and the town or district of origin, and a knowledgeable observer could glean such information from the fabric, colors, cut, and embroidery motifs (or lack thereof) in a given woman's apparel.
Our basic aim is to liberate the land from the Mediterranean Seas to the Jordan River. We are not concerned with what took place in June 1967 or in eliminating the consequences of the June war. The Palestinian revolution's basic concern is the uprooting of the Zionist entity from our land and liberating it.
Edward Wadie Saïd (Arabic pronunciation:[wædiːʕsæʕiːd]Arabic: إدوارد وديع سعيد, Idwārd Wadīʿ Saʿīd; 1 November 1935 – 25 September 2003) was an American-Palestinianliterary theorist, and University Professor of English and Comparative Literature at Columbia University. He was a founding figure of the critical field of post-colonialism. Saïd was a Palestinian Arab born in Jerusalem (then in the British Mandate of Palestine), and held an American passport through his father who was a Palestinian U.S. citizen with Protestant origins. Said was an advocate for the human rights of the Palestinian people, whom the commentator Robert Fisk described as the Palestinians' most powerful voice. As an influential cultural critic, academic, and writer, Edward Saïd was known best for the book Orientalism (1978), a critical analysis of the ideas that are the bases of Orientalism — the Western study of Eastern cultures. As a public intellectual, he discussed contemporary politics, music, culture, and literature, in lectures, newspaper and magazine articles, and books. Drawing from his family experiences as a Palestinian Christian in the Middle East, at the time of the establishment of Israel (1948), Saïd argued for the establishment of a Palestinian state, equal political and human rights for the Palestinians in Israel — including the right of return — and for increased U.S. political pressure upon Israel to recognize, grant, and respect said rights; he also criticized the political and cultural politics of Arab and Muslim régimes. He received a Western education in the U.S., where he resided from adolescence until his death in 2003; as such, in his memoirs, Out of Place (1999), Saïd applied his dual cultural heritage to narrow the gap of political and cultural understanding between The West and the Middle East, to improve Western understanding of the Israeli–Palestinian conflict. His decade-long membership in the Palestinian National Council, and his pro–Palestinian political activism, made him a controversial public intellectual.
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